Wednesday, October 27, 2010

The Graduate

The Graduate   
4/5 stars
As we now move on to the mid-sixties, a time of rebellion and distrust, we now see an influence of that into the entertainment world. The Graduate, directed by Mike Nichols and starring  Dustin Hoffman and Anne Bancroft is a prime example of how the times really changed from the fifties to the seventies. The path this film ventured on is one that at that time might have been controversial.
It all begins with a young, awkward lad coming home to celebrate his recent graduation from college. At his graduation party, a family friend, Mrs. Robinson (Anne Bancroft) asks Benjamin Braddock (Dustin Hoffman) to give her a ride home. After they arrive, she exclaims how she is afraid to be home alone and invites Ben into her house. She says she wants to show him a portrait of her daughter and proceeds to trick him into being locked in the room while she undresses and tries seducing him. Meanwhile Mr. Robinson pulls into the driveway and Ben panics and rushes downstairs to act like nothing happened at all. He then nervously says his goodbyes and heads out of the house. Feeling anxiety about his future as an adult, Benjamin decides to take it easy for awhile. With nothing better to do, he decides to take Mrs. Robinson up on her offer and invites her to the Taft Hotel where they proceed to have a little “fun”. This secretive affair continues until Mr. Braddock convinces Benjamin to take Elaine Robinson (Katharine Ross) out on a date, against his promise he had made to Mrs.Robinson to never see Elaine. Ben then askes her on a date and realizes that he has feeling for her.  Mrs.Robinson is livid and tells ben that if he continues she will let her daughter know of there affair. Ben decides he will tell her before Mrs.Robinson can and Elaine does not take it all to well. In response, Elaine moves on and starts to date Carl Smith (Brian Avery). Things between them heat up and they decide to get married. Ben finds out about this and has this idea that him and Elaine are destined for each other. He frantically makes it to the wedding on time and cries out loud for Elaine to run away with him. She does and after a brief quarrel with Elaine’s family members Ben and Elaine escape the church and runaway on an unknown path to their futures. And that is where The Graduate leaves you hanging.
Overall, when you think about it, this film was really an eye opener as far as the boundaries it crossed and how perverted it really was. Especially as a film of that time we are sure that it caused a lot of controversy. It’s kind of a sign of how the times really were back then however, and it displayed a change in the way society presented itself from the fifties to the late sixties. The very interesting and never predicting plot was enough for Evan and I to view it as a film that is worth your time watching. Dennis Hoffman does a brilliant job playing the role of the awkward and very silly Ben Braddock. Not only was The Graduate an important piece of history it was also a well put together, downright funny film and there will surely never be anything like it.

Friday, October 8, 2010

Ben Hur Vodcast

http://tinyurl.com/25n9dq3

Top Ten Favorite Films

Jordan- This was not the easiest thing to do for me, because there are many different films that could crack the top ten, but this is what I ended up with.

1. Coach Carter
2. Space Jam
3. Disturbia
4. Toy Story series
5. Hoosiers
6. Gran Torino
7. Dumb and Dumber
8. Avatar
9. Wild Hogs
10. Slumdog Millionaire

Wednesday, October 6, 2010

Citizen Kane

Our rating: 3 out of 5 stars.
In anticipation to the prestigous #1 critics choice film of all time, we were very excited to dive into this film and see what it was all about. Sadly, Evan and I were somewhat disappointed with this film because of our high expectations. However, this film was on top of the game as far as filming techniques and more advanced sound quality. Orson Welles displayed an almost never ending amount of symbolism in his film which kind of seemed too good to be true but did always keep you wondering. The plotline basically consists of a man named Charles Foster Kane, (Orson Welles) a man betrayed by his parents at a very young age for financial gain. He lives his life with prosperity and seems to have all a man can ask for. For a man that has everything, his dying wish are for his mere "Rosebud", leading detectives on a hunt to find out what exactly he meant by his dying words.
So Why "Rosebud"
EA-  For Charles's entire life he could have anything that he wished for, except for a few things. He would never get his childhood back that was ripped out from underneath him as a young lad, or get the time with his family back. As a kid he loved to play in the snow with his beloved sled "Rosebud" it was his only link to his childhood.
JC-  The great part of this film is the fact that it leaves you thinking as to why Kane uttered "Rosebud" as his death words. Like said in the film by the female reporter, "If you could've found out what Rosebud meant, I bet that would've explained everything," but, one word cannot describe Kane's life. The fact that they leave you hanging is what makes this film the #1 critics choice. However, if you're looking for some high flying, edge of your seat material, this is not for you. As you slowly move through the film finding more and more about Kane's life, you become overly bored and uninterested. SPOILER: Not to mention when you find out that "Rosebud" was simply his childhood sled, it kind of gives you the feeling of, "What was the point?"